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Black British Women's Theatre - Intersectionality, Archives, Aesthetics (Hardcover, 1st ed. 2020)
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Black British Women's Theatre - Intersectionality, Archives, Aesthetics (Hardcover, 1st ed. 2020)
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This book marks a significant methodological shift in studies of
black British women's theatre: it looks beyond published plays to
the wealth of material held in archives of various kinds, from
national repositories and themed collections to individuals'
personal papers. It finds there a cache of unpublished manuscripts
and production recordings distinctive for their non-naturalistic
aesthetics. Close analysis of selected works identifies this as an
intersectional feminist creative practice. Chapters focus on five
theatre companies and artists, spanning several decades: Theatre of
Black Women (1982-1988), co-founded by Booker Prize-winning writer
Bernardine Evaristo; Munirah Theatre Company (1983-1991); Black
Mime Theatre Women's Troop (1990-1992); Zindika; and SuAndi. The
book concludes by reflecting on the politics of representation,
with reference to popular postmillennial playwright debbie tucker
green. Drawing on new interviews with the playwrights/practitioners
and their peers, this book assembles a rich, interconnected, and
occasionally corrective history of black British women's
creativity. By reproducing 22 facsimile images of flyers,
production programmes, photographs and other ephemera, Black
British Women's Theatre: Intersectionality, Archives, Aesthetics
not only articulates a hidden history but allows its readers their
own encounter with the fragile record of this vibrant past.
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