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Revolution and the Form of the British Novel, 1790-1825 - Intercepted Letters, Interrupted Seductions (Hardcover)
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Revolution and the Form of the British Novel, 1790-1825 - Intercepted Letters, Interrupted Seductions (Hardcover)
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Whatever happened to the epistolary novel? Why was it that by 1825
the principal narrative form of eighteenth-century fiction had been
replaced by the third-person and often historicized models which
have predominated ever since? Nicola Watson's original and
wide-ranging study charts the suppression of epistolary fiction,
exploring the attempted radicalization of the genre by
Wollstonecraft and other feminists in the 1790s; its rejection and
parody by Jane Austen and Maria Edgeworth: the increasingly
discredited role played by letters in the historical novels of Jane
Porter, Sydney Morgan, and Walter Scott; and their troubling,
ghostly presence in the gothic narratives of James Hogg and Charles
Maturin. The shift in narrative method is seen as a response to
anxieties about the French Revolution, with the epistolary,
feminized, and sentimental plot replaced by a more authoritarian
third-person mode as part of a wider redrawing of the relation
between the individual and social consensus. This is a brilliant
and innovative reading of the place of the novel in the
reformulation of British national identity in the Napoleonic
period, throwing new light on writers as diverse as Hazlitt,
Charlotte Smith, Walter Scott, Helen Maria Williams, and Byron.
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