At a time when debates about social inequality are in the
spotlight, it is worth examining how the two most popular media of
the 20th and 21st centuries-film and television-have shaped the
representation of social classes. How do generic conventions
determine the representation of social stereotypes? How do
filmmakers challenge social class identification? How do factors
such as national history, geography and gender affect the
representation of social classes? This collection of new essays
explores these and other questions through an analysis of a wide
range of American and British productions-from sitcoms and reality
TV to documentaries and auteur cinema-from the 1950s to the
present.
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