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In September 2019, Cape Town–based entrepreneur Jarette Petzer posted a video on Facebook. It was an emotional recognition of the difficulties faced by South Africa, as well as a heartfelt plea to nurture everything he loves about this country. Friends suggested that Petzer start a Facebook page to continue the conversation, and #ImStaying was born.
Within weeks, 400 000 South Africans of every race, socio-economic and political background joined the page to tell their stories of everyday life – of beauty, of hardship and the magnificence of their fellow citizens – and to share stories across cultural barriers, which many had never crossed before. By the end of December 2019, the page had more than a million followers, and it continues to grow.
Adhering to the maxim ‘Good Thoughts. Good Words. Good Deeds.’, #ImStaying is about South Africans creating social cohesion through storytelling – reaching out to each other to inspire real change in the country they love and want to see succeed, and shaping a new future out of a painful past.
This book provides another platform for the diverse voices and stories of the #ImStaying movement, as well as giving an overview of how this uniquely South African group came about and why it’s so important.
Between 1913 and 1989 some four million South Africans were forcibly removed from their homes to enforce residential segregation along racial lines. This study records and interprets the memories of some of the Capetonians who were relocated as a result of the infamous Group Areas Act.
Former resients of Windermere, Tramway Road in Sea Point, District Six, Lower Claremont, and Simon's Town narrate their experiences. The work shows how different - even conflicting - versions of popular memories are historically significant for individuals and communities, and for the professionals and academics who work with them.
Most important, it demonstrates how the sharing of oral histories and memories allows people to rebuild a sense of self and community.
Showcasing the work of more than 200 women writers of African descent, this major international collection celebrates their contributions to literature and international culture.
Twenty-five years ago, Margaret Busby’s groundbreaking anthology Daughters Of Africa illuminated the “silent, forgotten, underrated voices of black women” (Washington Post). Published to international acclaim, it was hailed as “an extraordinary body of achievement… a vital document of lost history” (Sunday Times). New Daughters Of Africa continues that mission for a new generation, bringing together a selection of overlooked artists of the past with fresh and vibrant voices that have emerged from across the globe in the past two decades, from Antigua to Zimbabwe with numerous South African contributors. Key figures join popular contemporaries in paying tribute to the heritage that unites them. Each of the pieces in this remarkable collection demonstrates an uplifting sense of sisterhood, honours the strong links that endure from generation to generation, and addresses the common obstacles women writers of colour face as they negotiate issues of race, gender and class, and confront vital matters of independence, freedom and oppression.
Custom, tradition, friendships, sisterhood, romance, sexuality, intersectional feminism, the politics of gender, race, and identity—all and more are explored in this glorious collection of work from over 200 writers. New Daughters Of Africa spans a wealth of genres—autobiography, memoir, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches—to demonstrate the diversity and remarkable literary achievements of black women.
New Daughters Of Africa features a number of well-known South African contributors including Gabeba Baderoon, Nadia Davids, Diana Ferrus, Vangile Gantsho, Barbara Masekela, Lebogang Mashile and Sisonke Msimang.
A secret torment for some, a proud responsibility for others, ‘black tax’ is a daily reality for thousands of black South Africans. In this thought-provoking and moving anthology, a provocative range of voices share their deeply personal stories.
With the majority of black South Africans still living in poverty today, many black middle-class households are connected to working-class or jobless homes. Some believe supporting family members is an undeniable part of African culture and question whether it should even be labelled as a kind of tax. Others point to the financial pressure it places on black students and professionals, who, as a consequence, struggle to build their own wealth. Many feel they are taking over what is essentially a government responsibility. The contributions also investigate the historical roots of black tax, the concept of the black family and the black middle class.
In giving voice to so many different perspectives, Black Tax hopes to start a dialogue on this widespread social phenomenon.
Rosie Motene's story is about a young girl born to the Bafokeng nation during the apartheid era in South Africa.
At the time, Rosie’s mother worked for a white Jewish family in Johannesburg who offered to raise the child as one of their own. This generous gesture by the family created many opportunities for Rosie but also a trail of sacrifices for her parents. As she grew, Rosie struggled to find her true identity.
She had access to the best of everything but as a black girl she floundered without her own culture or language. This book describes Rosie’s journey through her fog of alienation to the belated dawning of herself discovery as an African.
This close media study considers how, squeezed in the moral vice of past and present, Afrikaners look in a mirror that reflects only a beautiful people.
It is an image of upstanding, hard-working citizens. To hold on to that image requires blinkers, sleights of hand and contortion. Above all, it requires an inversion of the liberation narrative in which the wretched of South Africa are the historical oppressors, besieged in their language, their homes, their jobs.
They are the new `grievables', an identity that requires intricate moral manoeuvres, and elision as much of the past as of transformation.
Blacks Do Caravan tells the story of a young South African family’s caravan journey, and the everlasting memories created along the way included amazing adventures and wonderful experiences. The book aims to inspire South Africans to take time out of their busy schedules and spend that valuable time with their families to discover the beauty of our country.
Fikile’s trip began on 15 September 2014 and during the journey she came to the realisation that South Africa is still a divided nation. Over twenty years into democracy, boundaries still divide us. Fikile aims to break those boundaries created by the past regime and contribute to the unity that is needed for all South Africans to move forward and experience this country equally. What better way to do it than caravanning?
Fikile and her family visited over 60 caravan parks and extended their travels to the Kingdom of Swaziland, which became an eye opening, mind changing trip of a lifetime.
In 2015 and 2016 waves of student protest swept across South African campuses under the banner of FeesMustFall. This book offers a historical perspective, analysing regional influences on the ideologies that have underpinned South African student politics from the 1960s to the present. The author considers the history of student organisations in the Northern Transvaal (today Limpopo Province) and the ways in which students and youth influenced political change on a national scale, over generations.
The University of the North at Turfloop played an integral role in building the South African Students’ Organisation (SASO) in the late 1960s and propagating Black Consciousness in the 1970s; in the 1980s it became an ideological battleground where Black Consciousness advocates and ANC-affiliates competed for influence. Limpopo has remained a hotbed of political activism in the country. Generations of nationally prominent student and youth activists became politically conscientised here – among them Julius Malema, Onkgopotse Tiro, Cyril Ramaphosa, Frank Chikane and Peter Mokaba.
Turfloop (University of Limpopo) has remained politically significant in the post-apartheid era: it was here in 2007 that Julius Malema supported Jacob Zuma’s ascension to the South African presidency during the ANC’s pivotal party conference that resulted in the ousting of Thabo Mbeki.
Selling Hate is a fascinating and powerful story about the power of a southern PR firm to further the Ku Klux Klan's agenda. Dale W. Laackman's uncovered never-before-published archival material, census records, and obscure books and letters to tell the story of an emerging communications industry-an industry filled with potential and fraught with peril. The brilliant, amoral, and spectacularly bold Bessie Tyler and Edward Young Clarke-together, the Southern Publicity Association-met the fervent William Joseph Simmons (founder of the second KKK), saw an opportunity, and played on his many weaknesses. It was the volatile, precarious terrain of post-World War I America. Tyler and Clarke took Simmons's dying and broke KKK, with its two thousand to three thousand associates in Georgia and Alabama, and in a few short years swelled its membership to nearly five million. Chapters were established in every state of the union, and the Klan began influencing American political and social life. Between one-third and one-half of the eligible men in the country belonged to the organization. Even to modern sensibilities, the extent of Tyler and Clarke's scheme is shocking: the limitlessness of their audacity; the full-scale and ongoing con of Simmons; the size of the personal fortunes they earned, amassed, and stole in the process; and just how easily and expertly they exploited the particular fears and prejudices of every corner of America. You will recognize in this pair a very American sense of showmanship and an accepted, even celebrated, brash entrepreneurial hustle. And as their story winds down, you will recognize the tainted and ultimately ineffectual congressional hearings into the Klan's monumental growth.
Against the lethargy and despair of the contemporary Anglophone Caribbean experience, Aaron Kamugisha gives a powerful argument for advancing Caribbean radical thought as an answer to the conundrums of the present.
Beyond Coloniality is an extended meditation on Caribbean thought and freedom at the beginning of the twenty-first century and a profound rejection of the post-independence social and political organization of the Anglophone Caribbean and its contentment with neocolonial arrangements of power. Kamugisha provides a dazzling reading of two towering figures of the Caribbean intellectual tradition, C.L.R. James and Sylvia Wynter, and their quest for human freedom beyond coloniality.
Ultimately, he urges the Caribbean to recall and reconsider the radicalism of its most distinguished twentieth-century thinkers in order to imagine a future beyond neocolonialism.
In 1999, Rick Rohde, a Research Fellow of the Centre of African Studies at the University of Edinburgh, joined a long-term research project in the village of Paulshoek in Namaqualand, the aim of which was to understand and record the socio-economic and environmental history of the area. Some residents of Paulshoek were invited to contribute to the project through a photographic documentation of the life of the village. One of these photographers was Sophia Klaase, whose striking images of her family and friends became the subject of an exhibition fourteen years later.
Klaase’s images stood out for their intense and idiosyncratic representation of life in a materially impoverished community, and for their frank exploration of Klaase’s own relationship to her environment. Her photographs and this book demonstrate the intellectual and aesthetic rewards of true collaboration and sustained investigation, and introduce a new name into the tradition of South African documentary and vernacular photography. Klaase’s work is the cornerstone of this richly layered study of Paulshoek and its environs.
The radio in Africa has shaped culture by allowing listeners to negotiate modern identities and sometimes fast-changing lifestyles. Through the medium of voice and mediated sound, listeners on the station – known as Radio Bantu, then Radio Zulu, and finally Ukhozi FM – shaped new understandings of the self, family and social roles.
Through particular genres such as radio drama, fuelled by the skills of radio actors and listeners, an array of debates, choices and mistakes were unpacked daily for decades. This was the unseen literature of the auditory, the drama of the airwaves, which at its height shaped the lives of millions of listeners in urban and rural places in South Africa. Radio became a conduit for many talents squeezed aside by apartheid repression. Besides Winnie Mahlangu and K.E. Masinga and a host of other talents opened by radio, the exiles Lewis Nkosi and Bloke Modisane made a niche and a network of identities and conversations which stretched from the heart of Harlem to the American South. Nkosi and Modisane were working respectively in BBC Radio drama and a short-lived radio transcription centre based in London which drew together the threads of activism and creativity from both Black America and the African continent at a critical moment of the late empire.
Radio Soundings is a fascinating study that shows how, throughout its history, Zulu radio has made a major impact on community, everyday life and South African popular culture, voicing a range of subjectivities which gave its listeners a place in the modern world.
It comes as little surprise that Hollywood films have traditionally stereotyped Arab Americans, but how are Arab Americans portrayed in Arab films, and just as importantly, how are they portrayed in the works of Arab American filmmakers themselves? In this innovative volume, Mahdi offers a comparative analysis of three cinemas, yielding rich insights on the layers of representation and the ways in which those representations are challenged and disrupted. Hollywood films have fostered reductive imagery of Arab Americans since the 1970s as either a national security threat or a foreign policy concern, while Egyptian filmmakers have used polarizing images of Arab Americans since the 1990s to convey their nationalist critiques of the United States. Both portrayals are rooted in anxieties around globalization, migration, and US-Arab geopolitics. In contrast, Arab American cinema provides a more complex, realistic, and fluid representation of Arab American citizenship and the nuances of a transnational identity. Exploring a wide variety of films from each cinematic site, Mahdi traces the competing narratives of Arab American belonging - how and why they vary, and what's at stake in their circulation.
Hierdie boek behandel vier hooftemas:
Die toekoms van Afrikaners in `n uiters onseker land;
Die aard van Afrikaans-wees en Afrikaner-wees - verlede, hede en toekoms;
Sleutelvoorwaardes vir `n vooruitstrewende Suid-Afrika;
Wat staan ons as Afrikaners te doen om `n goeie toekoms te help skep?
More than three decades after its initial publication, J. Mills Thornton's Politics and Power in a Slave Society remains the definitive study of political culture in antebellum Alabama. Controversial when it first appeared, the book argues against a view of prewar Alabama as an aristocratic society governed by a planter elite. Instead, Thornton claims that Alabama was an aggressively democratic state, and that this very egalitarianism set the stage for secession. White Alabamians had first-hand experiences with slavery, and these encounters warned them to guard against the imposition of economic or social reforms that might limit their equality. Playing upon their fears, the leaders of the southern rights movement warned that national consolidation presented the danger that fanatic northern reformers would force alien values upon Alabama and its residents. These threats gained traction when national reforms of the 1850s gave state government a more active role in the everyday life of Alabama citizens; and ambitious young politicians were able to carry the state into secession in 1861. Politics and Power in a Slave Society continues to inspire scholars by challenging one of the fundamental articles of the American creed: that democracy intrinsically produces good. Contrary to our conventional wisdom, slavery was not an un-American institution, but rather coexisted with and supported the democratic beliefs of white Alabama.
This major work retraces the emergence and development of the Bourgeois public sphere - that is, a sphere which was distinct from the state and in which citizens could discuss issues of general interest. In analysing the historical transformations of this sphere, Habermas recovers a concept which is of crucial significance for current debates in social and political theory.
Habermas focuses on the liberal notion of the bourgeois public sphere as it emerged in Europe in the early modern period. He examines both the writings of political theorists, including Marx, Mill and de Tocqueville, and the specific institutions and social forms in which the public sphere was realized.
This brilliant and influential work has been widely recognized for many years as a classic of contemporary social and political thought, of interest to students and scholars throughout the social sciences and humanities.
Teaching Men to be Feminist is for any man who feels excluded by feminism; who finds himself believing there's some truth in the frequently heard rationalisation that a female rape victim was 'asking for it' even though he may not acknowledge this out loud. This book is for men who love their partners and daughters and don't want to see them hurt or unfairly disadvantaged but can't find a way to speak out. It is for anyone who believes feminism is just an outdated 'woman's thing' and above all it is a rallying cry for men and women who still believe in a feminism that can lead to genuine and lasting equality.
'With Genesis, Wilson inspires awe ... His message is that selection has shaped a society that is characterized by cooperation and division of labour' Nature Of all species that have ever existed on earth, only one has reached human levels of intelligence and social organisation: us. Why? In Genesis, celebrated biologist Edward O. Wilson traces the great transitions of evolution, from the origin of life to the invention of sexual reproduction to the development of language itself. The only way for us to fully understand human behaviour, Wilson argues, is to study the evolutionary histories of nonhuman species. Of these, he demonstrates that at least seventeen - from the African naked mole rat and the sponge-dwelling shrimp to one of the oldest species on earth, the termite - have been found to have advanced societies based on altruism, cooperation and the division of labour. These rare eusocial species form the prehistory to our human social patterns, even, according to Wilson, suggesting the possible biological benefits of homosexuality and elderly grandmothers. Whether writing about midges who dance about like acrobats, schools of anchovies who protectively huddle to appear like a gigantic fish or well-organised flocks becoming potentially immortal, Genesis is a pathbreaking work of evolutionary theory filled with lyrical observations. It will make us rethink how we became who we are.
In this landmark essay collection, twelve contributors chart the contours of current scholarship in the field of slavery studies, highlighting three of the discipline's major themes -- commodification, community, and comparison -- and indicating paths for future inquiry. New Directions in Slavery Studies addresses the various ways in which the institution of slavery reduced human beings to a form of property. From the coastwise domestic slave trade in international context to the practice of slave mortgaging to the issuing of insurance policies on slaves, several essays reveal how southern whites treated slaves as a form of capital to be transferred or protected. An additional piece in this section contemplates the historian's role in translating the fraught history of slavery into film. Other essays examine the idea of the ""slave community,"" an increasingly embattled concept born of revisionist scholarship in the 1970s. This section's contributors examine the process of community formation for black foreigners, the crucial role of violence in the negotiation of slaves' sense of community, and the effect of the Civil War on slave society. A final essay asks readers to reassess the long-standing revisionist emphasis on slave agency and the ideological burdens it carries with it. Essays in the final section discuss scholarship on comparative slavery, contrasting American slavery with similar, less restrictive practices in Brazil and North Africa. One essay negotiates a complicated tripartite comparison of secession in the United States, Brazil, and Cuba, while another uncovers subtle differences in slavery in separate regions of the American South, demonstrating that comparative slavery studies need not be transnational. New Directions in Slavery Studies provides relevant and distinct examinations of the lives and histories of enslaved people in the United States.
In the first-ever comprehensive analysis of violence between slaves in the antebellum South, Jeff Forret challenges persistent notions of slave communities as sites of unwavering harmony and solidarity. Though existing scholarship shows that intraracial black violence did not reach high levels until after Reconstruction, contemporary records bear witness to its regular presence among enslaved populations. Slave against Slave explores the roots of and motivations for such violence and the ways in which slaves, masters, churches, and civil and criminal laws worked to hold it in check. Far from focusing on violence alone, Forret's work also adds depth to our understanding of morality among the enslaved, revealing how slaves sought to prevent violence and punish those who engaged in it. Forret mines a vast array of slave narratives, slaveholders' journals, travelers' accounts, and church and court records from across the South to approximate the prevalence of slave-against-slave violence prior to the Civil War. A diverse range of motives for these conflicts emerges, from tensions over status differences, to disagreements originating at work and in private, to discord relating to the slave economy and the web of debts that slaves owed one another, to courtship rivalries, marital disputes, and adulterous affairs. Forret also uncovers the role of explicitly gendered violence in bondpeople's constructions of masculinity and femininity, suggesting a system of honor among slaves that would have been familiar to southern white men and women, had they cared to acknowledge it. Though many generations of scholars have examined violence in the South as perpetrated by and against whites, the internal clashes within the slave quarters have remained largely unexplored. Forret's analysis of intraracial slave conflicts in the Old South examines narratives of violence in slave communities, opening a new line of inquiry into the study of American slavery.
Analyzing published and archival oral histories of formerly enslaved African Americans, Libra R. Hilde explores the meanings of manhood and fatherhood during and after the era of slavery, demonstrating that black men and women articulated a surprisingly broad and consistent vision of paternal duty across more than a century. Complicating the tendency among historians to conflate masculinity within slavery with heroic resistance, Hilde emphasizes that, while some enslaved men openly rebelled, many chose subtle forms of resistance in the context of family and local community. She explains how a significant number of enslaved men served as caretakers to their children and shaped their lives and identities. From the standpoint of enslavers, this was particularly threatening--a man who fed his children built up the master's property, but a man who fed them notions of autonomy put cracks in the edifice of slavery. Fatherhood highlighted the agonizing contradictions of the condition of enslavement, and to be an involved father was to face intractable dilemmas, yet many men tried. By telling the story of the often quietly heroic efforts that enslaved men undertook to be fathers, Hilde reveals how formerly enslaved African Americans evaluated their fathers (including white fathers) and envisioned an honorable manhood.
First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.
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