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China's Cinema of Class - Audiences and Narratives (Hardcover)
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China's Cinema of Class - Audiences and Narratives (Hardcover)
Series: Routledge Studies on China in Transition
Expected to ship within 12 - 17 working days
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China's commercial film industry can be used as a map to understand
how class is interwoven into the imaginations that inform and
influence social change in Chinese society. Film consumption is
important in this process, particularly for young adult urbanites
that are China's primary commercial cinema patrons. This book
investigates the web between the representation of class themes in
Chinese film narratives, local audience reception to these films,
and the socialisation of China's contemporary class society.
Bringing together textual analyses of narratives from five
commercially exhibited films: Let the Bullets Fly (Jiang: 2010),
Lost on Journey (Yip: 2011), Go Lala Go! (Xu: 2011), House Mania
(Sun: 2011) and The Piano in the Factory (Zheng: 2011); and the
reception of 179 Chinese audiences from varying class positions, it
investigates the extent to which fictional narratives inform and
reflect current class identities in present-day China. Through
group discussions in Beijing, Hangzhou, Nanjing, Lanzhou and
Taiyuan, the author searches for audiences beyond major cities that
are typically the focus of film consumption studies in China. As
such, the book reveals not only how deeply and widespread the
socialisation of China's class society has become in the
imaginations of Chinese audiences, but also what appears to be a
preference of both audiences and filmmakers for the continuation of
China's new class society. Revealing the extent to which cinema
continues to play a key role in the socialisation of class
structures in contemporary Chinese society, this book will be
important for students and scholars of Chinese Studies, Film
Studies, Communication Studies, as well as observers of China's
film industry.
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