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Japanese Cinema (Hardcover)
Loot Price: R23,122
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Japanese Cinema (Hardcover)
Series: Critical Concepts in Media and Cultural Studies
Expected to ship within 12 - 17 working days
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Japanese cinema is historically one of the world's most important
national film industries and one that continues to have a
significant global influence. From the Golden Age of the 1930s and
the 1950s art-house success of Kurosawa, Mizoguchi, and Ozu to the
1960s New Wave of Imamura and Oshima and the ubiquitous
contemporary presence of sci-fi and anime, Japan has produced
directors and genres of central importance to the development of
cinema as both art and industry. Indeed, no college or university
course on international film history or modern world cinema is
complete without substantial reference to Japan's mighty
achievements. Despite the crucial contribution of work on Japan to
the development of Film Studies as a distinct object of
intellectual inquiry, as well as the ongoing vibrancy of Japanese
Cinema Studies as a dynamic interdisciplinary endeavour, to date no
reference work has gathered all the most important scholarly
writings on the topic. This welcome addition to Routledge's
Critical Concepts in Media and Cultural Studies series remedies
that omission. It presents for the first time the most significant
English-language work on the history and culture of Japanese
cinema. Edited by two leading scholars in the field, this major new
reference resource offers a multi-dimensional overview of one
hundred years of filmmaking in Japan. It explores the subject from
all key angles, encompassing production and the role of commercial
film studios, distribution, exhibition, issues of critical
reception, fandom, and the cultural status of cinema as aesthetic
medium. Every major period is represented, including early and
silent cinema, the years of empire and war, postwar resurgence and
political strife, globalization and multimedia reconfiguration. In
addition, the collection includes consideration of key films and
filmmakers, alongside approaches to Japanese cinema's perceived
uniqueness and debates on its relation to society, as well as to
Hollywood and other film industries. Contributions are drawn from
the various disciplines where the most important work on Japanese
cinema has been produced, including Film Studies, Japan Studies,
Asian Studies, and Cultural Studies. Japanese Cinema is
supplemented by a comprehensive index. It also includes a full
introduction, newly written by the editors, which outlines the
various historical contexts for the emergence of mature scholarly
approaches to the subject.
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