The book offers representative excerpts from the manuscript
reviewed by the artist in the early 1990s. Stylistically aware and
(self-)critical, the author comments on the cultural and social
climate in postwar Germany. He offers new insights into the German
art scene of the postwar period and its European network, the
relations between the SPUR group and the Situationist International
around Guy Debord - provocations and scandals included.
General
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