A married salary man watches his male authority crumble amid
seismic cultural shifts in postwar Japan in Kojima's 1966 novel,
translated into English for the first time. In late-'40s Tokyo, GIs
teach schoolgirls the finer points of the Charleston, department
stores stock Western-style bathtubs and Miwa Shunsuke, who had
spent some time in the U.S., earns a living by lecturing his
countrymen on the American way of life. His own household, in the
meantime, spins out of control: Wife Tokiko has taken to openly
mocking her husband in front of their snickering children, with
even the maid joining in the defiance. When Tokiko admits an affair
with an American boarder, Shunsuke stifles his rage and plunges
instead into the kind of self-flagellating introspection the reader
will recognize as very Western. Metaphorically and literally
impotent, he proceeds to seethe throughout most of this slim novel,
as the travails of cuckoldry give way to an immeasurably more
terrifying ordeal-Tokiko's breast cancer. Shunsuke's is a
book-length loss of face, exacerbated by cutaways to disapproving
onlookers (sentences to the effect of "Everyone turned and stared"
form a pulsing refrain). Tokiko, her side of the story left untold,
comes across as an entirely unpleasant nag, in sickness and in
health. The unblinking, methodical manner in which Kojima ushers a
somewhat blank hero through gauntlets of tragedy is reminiscent of
Yukio Mishima's Death in Midsummer. Kojima, however, takes the taut
minimalism that permeates much of '60s Japanese prose to its
logical endpoint. His writing, unaffected to the point of being
scrubbed clean of anything resembling style, dissipates into a
screenplay-like list of things characters did, said and felt. The
boxy translation, which has one character casually remarking, of
another, "He feels sheepish and obliged," is of no particular help.
Light on literary value, this is an informative snapshot of a
moment when the violent shock of exposure to Western values was
impacting every aspect of Japanese life. (Kirkus Reviews)
Set during the U.S. Occupation following World War II, Embracing
Family is a novel of conflict -- between Western and Eastern
traditions, between a husband and wife, between ideals and reality.
At the opening of the book, Miwa Shunsuke and his wife are trapped
in a strained marriage, subtly attacking one another in a manner
similar to that of the characters in Who's Afraid of Virginia
Woolf? When his wife has an affair with an American GI, Miwa is
forced to come to terms with the disintegration of their
relationship and the fact that his attempts to repair it only
exacerbate the situation. An award-winning novel, critics have read
this book as a metaphor of postwar Japanese society, in which the
traditional moral and philosophical basis of Japanese culture is
neglected in favor of Western conventions.
General
Imprint: |
Dalkey Archive Press
|
Country of origin: |
United States |
Series: |
Japanese Literature (Dalkey) |
Release date: |
May 2023 |
First published: |
December 2005 |
Authors: |
Nobuo Kojima
|
Translators: |
Yukiko Tanaka
|
Dimensions: |
236 x 179 x 19mm (L x W x T) |
Format: |
Hardcover - Sewn / Cloth over boards
|
Pages: |
161 |
ISBN-13: |
978-1-56478-405-6 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
Promotions
|
LSN: |
1-56478-405-3 |
Barcode: |
9781564784056 |
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