This classic in film theory, presents a systematic study of the
techniques of the film medium and of their potential uses for
creating formal structures in individual films such as Dovzhenko's
Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar,
Renoir's Nana, and Godard's Pierrot le Fou. Originally published in
1981. The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These editions preserve the original texts of these important books
while presenting them in durable paperback and hardcover editions.
The goal of the Princeton Legacy Library is to vastly increase
access to the rich scholarly heritage found in the thousands of
books published by Princeton University Press since its founding in
1905.
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