American Literature -- Literary Criticism
There are three wars in the mind and in the art of William
Faulkner--the American Civil War, World War I, and World War II.
Although he did not fight in any war, he postured as a veteran
flyer, for he had enlisted in the Royal Flying Corps in Canada. In
his novels, short stories, essays, and letters, war remained a
looming subject.
"Faulkner and War," a collection of essays from the Faulkner and
Yoknapatawpha Conference, held at the University of Mississippi in
2001, explores the role that war played in the life and work of a
writer whose career seems forever poised against a backdrop of wars
going on or recently ended or in the volatile years between.
Perhaps most significant for all his works was the Civil War, which
had ended thirty-two years before Faulkner was born. Yet it was the
vast, escapable panorama against which he set his novels of the
anguished South.
John Limon discusses Faulkner's attempt to show how much of the
sense of reality that the Great War produced could be rendered in
fiction without explicit reference to it, as, for example, in one
novel seemingly remote from the war, "As I Lay Dying." Lothar
Honnighausen examines Faulkner's evolving ideological attitudes
toward war in "Soldiers' Pay," "A Fable," and "The Mansion."
These and other essays give illumination to Faulkner's close
analysis of war and its consequences as they appear in his
work.
Noel Polk, a professor of English at the University of Southern
Mississippi, is the author of "Children of the Dark House: Text and
Context in Faulkner," "Eudora Welty: A Critical Bibliography,"
"Outside the Southern Myth" (all from University Press of
Mississippi), and other books.
Ann J. Abadie, co-editor of publications in the Faulkner and
Yoknapatawpha Series, is associate director of the Center for the
Study of Southern Culture at the University of Mississippi.
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