The novel and the film are two modes of representation based on
different aesthetic tools, but both are capable of articulating
narrative discourses. In "Spanish Film and the Postwar Novel,"
author Norberto Minguez-Arranz offers a comparative analysis of the
methods and mechanisms with which the novel and the film build
their stories. A theoretical framework that that puts into
perspective such concepts as specificity, representation, and point
of view gives way to a comparative study of five Spanish postwar
novels and their respective film adaptations: "The Family of
Pascual Duarte," "Time of Silence," "The Hive," "El Bosque
Animado," and "Nuevas Amistades."
Revealing the existence of cinematic features of the novel and
literary features of the cinema, the author examines the ways in
which this interdependence has become a permanent aspect of both
arts, with mutual influences and a great deal of nonexclusivity of
properties. By using this particular time and place as his locus of
analytical thought, Minguez-Arranz provides an invaluable
examination of two of this century's major creative forms.
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