A theme that obsessed Shakespeare in over 20 plays from Titus
Andronicus to The Tempest was the relationship between a daughter
and her father. This study traces chronologically the development
of this theme, relating it to the little we know of his own two
daughters, and sheds new light on his exploration of the family
that so dominated his approach to drama. Drawing on a lifetime's
experience of playing Shakespearean roles, Oliver Ford Davies, a
former university lecturer and now an Honorary Associate Artist of
the RSC and Olivier Award winner, has written an engaging and
deeply researched study of a topic that has intrigued him from
playing Capulet in 1967, King Lear in 2002, to Polonius in 2008.
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