During the pivotal years between the world wars, Surrealist artists
on both sides of the Atlantic responded through their works to the
rise of Hitler and the spread of Fascism in Europe, resulting in a
period of surprising brilliance and fertility. Monstrosities in the
real world bred monsters in paintings and sculpture, on film, and
in the pages of journals and artists' books. Despite the political
and personal turmoil brought on by the Spanish Civil War and World
War II, avant-garde artists in Europe and those who sought refuge
in the United States pushed themselves to create some of the most
potent and striking images of the Surrealist movement. Trailblazing
essays by four experts in the field trace the experimental and
international extent of Surrealist art during these years--and,
perhaps most unexpectedly of all, its irrepressible beauty.
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