Re-examining key passages in Dante's oeuvre in the light of the
crucial issue of moral choice, this book provides a new thematic
framework for interpreting the "Divine Comedy." Olivia Holmes shows
how Dante articulated the relationship between the human and the
divine as an erotic choice between two attractive women--Beatrice
and the "other woman." Investigating the traditions and archetypes
that contributed to the formation of Dante's two beloveds, Holmes
shows how Dante brilliantly overlaid and combined these paradigms
in his poem. In doing so he re-imagined the two women as not merely
oppositional condensations of apparently conflicting cultural
traditions but also complementary versions of the same. This
visionary insight sheds new light on Dante's corpus and on the
essential paradox at the poem's heart: the unabashed eroticism of
Dante's turn away from the earthly in favor of the divine.
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