In recent years, Chinese film has garnered worldwide attention,
and this interdisciplinary collection investigates how new
technologies, changing production constraints, and shifting viewing
practices have shaped perceptions of Chinese screen cultures. For
the first time, international scholars from film studies, media
studies, history and sociology have come together to examine
technology and temporality in Chinese cinema today.
"Futures of Chinese Cinema" takes an innovative approach,
arguing for a broadening of Chinese screen cultures to account for
new technologies of screening, from computers and digital video to
smaller screens (including mobile phones). It also considers time
and technology in both popular blockbusters and independent art
films from mainland China, Taiwan, Hong Kong, and the Chinese
diasporas. The contributors explore transnational connections,
including little-discussed Chinese-Japanese and Sino-Soviet
interactions. With an exciting array of essays by established and
emerging scholars, "Futures of Chinese Cinema" represents a fresh
contribution to film and cultural studies.
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