In Austin, Texas, in 2002, a group of artists, activists, and
academics led by performance studies scholar Omi Osun Joni L. Jones
formed the Austin Project (tAP), which meets annually in order to
provide a space for women of color and their allies to build
relationships based on trust, creativity, and commitment to social
justice by working together to write and perform work in the jazz
aesthetic.
Inspired by this experience, this book is both an anthology of
new writing and a sourcebook for those who would like to use
creative writing and performance to energize their artistic,
scholarly, and activist practices. Theoretical and historical
essays by Omi Osun Joni L. Jones describe and define the African
American tradition of art-making known as the jazz aesthetic, and
explain how her own work in this tradition inspired her to start
tAP.
Key artists in the tradition, from Bessie Award-winning
choreographer Laurie Carlos and writer/performer Robbie McCauley to
playwrights Daniel Alexander Jones and Carl Hancock Rux, worked
with the women of tAP as mentors and teachers. This book brings
together never-before-published, must-read materials by these
nationally known artists and the transformative writing of tAP
participants. A handbook for workshop leaders by Lambda Literary
Award-winning writer Sharon Bridgforth, tAP's inaugural anchor
artist, offers readers the tools for starting similar projects in
their own communities. A full-length script of the 2005 tAP
performance is an original documentation of the collaborative,
breath-based, body work of the jazz aesthetic in theatre, and
provides both a script for use by theatre artists and an invaluable
documentation of a major transformative movement in contemporary
performance.
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