Like Montaigne before him, Mandel examines the antic mind of his
fellowmen, vain, various, and ever-changing, and its peculiar
manifestations in an age that embraces ugliness and irrationality.
The sixteen pieces in the collection are, literally,
'elaborations'-discursive, associative, meditative-of the author's
earlier lyric poems and epigrams, arranged by him to move in an
easy way from the autobiographical to matters more general and
abstract.
General
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