The fourth volume presents the main characteristics of the Bauhaus
concept of the stage. It was essentially shaped by Oskar Schlemmer,
who had taken over the stage department in 1923. Laszlo Moholy-Nagy
took an interest in abstract kinetic and luminary phenomena which
he examines in his essay "Theatre, Circus, Variete." Farkas Molnar
focused for his part on stage architecture, which he discusses in
detail in this volume.
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