Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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Sound and Sense in Franco-Flemish Music of the Renaissance - Sharps, Flats, and the Problem of 'Musica ficta' (Hardcover)
Loot Price: R4,764
Discovery Miles 47 640
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Sound and Sense in Franco-Flemish Music of the Renaissance - Sharps, Flats, and the Problem of 'Musica ficta' (Hardcover)
Series: Analysis in Context. Leuven Studies in Musicology, Volume 7
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Accidentals in Renaissance music have long been a problem for
performers and editors, for they are often not fully prescribed in
Franco-Flemish music. In the 20th century, a set of 'rules of
musica ficta' were assembled to describe performers' practice in
the 15th and 16th centuries, but the three primary rules contradict
each other when applied to the repertory. The conflict forces one
or more rules to be set aside in certain passages. Typically,
modern editors sacrifice the linear rule in favor of harmonic
aspects. The modern preference relies on a medieval concept-the
exclusion of mi contra fa-which the author challenges. When the
prohibition against mi contra fa is removed from singers' concerns,
and understood as a rule aimed at composers-one they took delight
in breaking at times-a proper balance between the three rules is
regained, and an incisive and expanded harmonic world is revealed.
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