Books > Arts & Architecture > History of art / art & design styles > 500 CE to 1400
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Iconography Beyond the Crossroads - Image, Meaning, and Method in Medieval Art (Hardcover)
Loot Price: R2,308
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Iconography Beyond the Crossroads - Image, Meaning, and Method in Medieval Art (Hardcover)
Series: Signa: Papers of the Index of Medieval Art at Princeton University
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This volume assesses how current approaches to iconology and
iconography break new ground in understanding the signification and
reception of medieval images, both in their own time and in the
modern world. Framed by critical essays that apply explicitly
historiographical and sociopolitical perspectives to key moments in
the evolution of the field, the volume's case studies focus on how
iconographic meaning is shaped by factors such as medieval modes of
dialectical thought, the problem of representing time, the movement
of the viewer in space, the fragmentation and injury of both image
and subject, and the complex strategy of comparing distant cultural
paradigms. The contributions are linked by a commitment to
understanding how medieval images made meaning; to highlighting the
heuristic value of new perspectives and methods in exploring the
work of the image in both the Middle Ages and our own time; and to
recognizing how subtle entanglements between scholarship and
society can provoke mutual and unexpected transformations in both.
Collectively, the essays demonstrate the expansiveness,
flexibility, and dynamism of iconographic studies as a scholarly
field that is still heartily engaged in the challenge of its own
remaking. Along with the volume editors, the contributors include
Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher
R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
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