The ways in which research and scholarship are co-produced,
co-performed and proclaimed as particular kinds of knowledges and
truths in and beyond the academy is radically changing. The
capacity to write rebelliously, in varying registers and voices,
tempos and volumes, as featured across this book, is boundaryless.
In this edited volume, we ask new questions which simultaneously
trouble and open up what the 'product' and 'performance' of
academic work, words and worlds might come to be. At the heart of
this book, we move between departing radically from academic
writing to arriving at a new academic endeavor and transaction
between reader and text driven by the invitation to open rebellion
in academic research and writing. This unique volume brings
together an extraordinary range of international scholars,
researchers and artists, that include contemporary social
scientists, critical theorists, visual artists, poets, musicians,
hip-hoppers, choreographers, activists, film-makers,
theatre-makers, magicians, and circus artists from both within and
outside the academy in Europe, UK, India, Africa, USA, Canada,
Australia and New Zealand. They articulate new concepts for
thinking differently, generate new theories differently, and
present new methods of writing differently. This book provides
'permission' to depart radically in academic writing and creative
practice - particularly for doctoral and higher degree research
students, and those who work alongside them as supervisors and
advisors and higher research degree educators. The claim here is
that rebellious departures and performances in academic research
and writing are the future of academia. This book provides a series
of steps toward preparing for that future.
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