In Union Street (1973), first-novelist Barker offered grim,
vibrant, memorable vignettes of women's lives in England's
industrial north. Here, with somewhat less breadth and power, she
focuses on a few prostitutes in that same setting; and again, while
attempts at novelistic shape and heavy thematics go awry, the
portraits themselves are richly sad in vivid, spare observation. In
the book's first half, we meet Brenda, devoted mother of three, as
she sets off for her usual evening's work: some loosening-up at the
pub, followed by a night of street-walking in mutually protective
partnership with chum Audrey. Meanwhile, flashbacks fill in
Brenda's reluctant but unmelodramatic path to prostitution: a
feckless, deserting Mama's-boy of a husband; a slimy job at the
local chicken-factory - lost when Brenda couldn't find a
non-abusive "child-minder" for her kids; no money for the rent, the
obvious solution, the social ostracism, the fear that the kids will
Find Out. And there are graphic, depressing encounters with a
variety of customers: "if they were nasty you hated them; if they
were nice you hated yourself." Then, in the less compelling second
half, a first-person narrator takes over: prostitute Jean, who
recalls her equally dour on-the-job experiences, but also her
slow-developing love affair with colleague Carol. And, throughout,
least successfully, Barker attempts to add suspense - and a
violence-against-women theme - through a psycho-thriller subplot:
several prostitutes, including alcoholic Kath and Jean's lover
Carol, have been murdered by an impotent misogynist; a terrified
Jean is driven to kill in (mistaken?) self-defense; and an odd
final chapter presents the effect of a random assault on a
non-prostitute - a middle-aged factory-worker whose husband is a
suspect in the multiple-murder case. As a novel, then, this is
rather awkward - in both the halfhearted use of mystery/suspense
elements and in the familiar variations on feminist themes (wifedom
as prostitution, etc.). But Barker's specifics - from factory to
kids to shops to ugly car/alley sex - are indelibly authentic,
affectingly severe. (Kirkus Reviews)
A city and its people are in the grip of a killer who is roaming
the northern city, singling out prostitutes. The face of his latest
victim stares out from every newspaper and billboard, haunting the
women who walk the streets. But life and work go on. Brenda, with
three children, can't afford to give up while Audrey, now in her
forties, desperately goes on 'working the cars'. And then, when
another women is savagely murdered, Jean, her lover, takes
desperate measures...
General
Imprint: |
Virago Press Ltd
|
Country of origin: |
United Kingdom |
Series: |
Virago Modern Classics |
Release date: |
June 1990 |
First published: |
June 1990 |
Authors: |
Pat Barker
|
Dimensions: |
196 x 131 x 12mm (L x W x T) |
Format: |
Paperback - B-format
|
Pages: |
176 |
Edition: |
Reissue |
ISBN-13: |
978-0-86068-398-8 |
Categories: |
Books >
Fiction >
General & literary fiction >
Modern fiction
|
LSN: |
0-86068-398-2 |
Barcode: |
9780860683988 |
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