Lieven Gevaert Series 5Surrealism's French manifestations are best
known, but Belgium also had a complex history of Surrealist
activity in the early twentieth century, one as radical and
visionary as that in France. A number of groups affiliated with the
movement met formed, split up, and reformed; it is almost
impossible to summarize them. The essays in Collective Inventions
offer glimpses into Belgian surrealism that range from explorations
of specific historical turning points and comparisons with other
versions of Surrealism to detailed portraits of individual artists
and the meanings of their work. The authors use contemporary
theoretical and critical models to explore artistic production in a
variety of media, including painting and photography, film and
fashion, postcards and Perspex.
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