In an era which has seen many forms of artistic creation becoming
digitized, the practice of drawing, in the traditional sense, has
remained constant. However, many publications about the
relationship between drawing and thinking rely on
discipline-dependent distinctions to discuss the activity's
function. Drawing: The Enactive Evolution of the Practitioner
redefines drawing more holistically as an enactive phenomenon, and
makes connections between a variety of disciplines in order to find
out how drawing helps us understand the world. Instead of the
finite event of producing an artefact, drawing is a process and an
end in itself, through which the practitioner might gain
self-awareness.By synthesizing enactive thinking and the practice
of drawing, this volume provides valuable insights into the
creative mind, and will appeal to scholars and practitioners alike.
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