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A View of Berg's Lulu - Through the Autograph Sources (Hardcover)
Loot Price: R2,815
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A View of Berg's Lulu - Through the Autograph Sources (Hardcover)
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After 50 years of analysis we are only beginning to understand the
quality and complexity of Alban Berg's most important twelve-tone
work, the opera Lulu. Patricia Hall's new book represents a primary
contribution to that understanding-the first detailed analysis of
the sketches for the opera as well as other related autograph
material and previously inaccessible correspondence to Berg. In
1959, Berg's widow deposited the first of Berg's autograph
manuscripts in the Austrian National Library. The complete
collection of autographs for Lulu was made accessible to scholars
in 1981, and a promising new phase in Lulu scholarship unfolded.
Hall begins her study by examining the format and chronology of the
sketches, and she demonstrates their unique potential to clarify
aspects of Berg's compositional language. In each chapter Hall uses
Berg's sketches to resolve a significant problem or controversy
that has emerged in the study of Lulu. For example, Hall discusses
the dramatic symbolism behind Berg's use of multiple roles and how
these roles contribute to the large-scale structure of the opera.
She also revises the commonly held view that Berg frequently
invoked a free twelve-tone style. Hall's innovative work suggests
important techniques for understanding not only the sketches and
manuscripts of Berg but also those of other twentieth-century
composers. This title is part of UC Press's Voices Revived program,
which commemorates University of California Press's mission to seek
out and cultivate the brightest minds and give them voice, reach,
and impact. Drawing on a backlist dating to 1893, Voices Revived
makes high-quality, peer-reviewed scholarship accessible once again
using print-on-demand technology. This title was originally
published in 1996.
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