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Marlowe's Counterfeit Profession - Ovid, Spenser, Counter-Nationhood (Paperback)
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Marlowe's Counterfeit Profession - Ovid, Spenser, Counter-Nationhood (Paperback)
Series: Heritage
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"Marlowe's Counterfeit Profession" presents the first comprehensive
reading of the Marlowe canon in over a generation. The occasion for
Patrick Cheney's rereading is a primary discovery: Marlowe
organized his canon around an "Ovidian" career model, or cursus,
which turns from amatory poetry to tragedy to epic. Ovid had
advertised this cursus only in his inaugural poem, the Amores,
where its purpose was to counter the Virgilian cursus of pastoral,
georgic, and epic. Marlowe was the first writer to translate the
Amores, and thus the first to make the Ovidian cursus literally his
own. Marlowe inscribes this cursus not simply to participate in the
Renaissance recovery of classical authors, but in particular to
contest the national authority of the 'Virgil of England, ' Edmund
Spenser. Using an Ovidian cursus to contest Spenser's Virgilian
cursus, Marlowe enters the generational project of writing English
nationhood. Unlike Spenser, however, Marlowe writes a
'counter-nationhood' - a nonpatriotic form of nationhood that
subverts royal power with what Ovid calls libertas. By discovering
the original project organizing an otherwise fragmentary canon,
Cheney aims to change the most basic lens through which critics
have viewed Marlowe: 'Shakespearean drama'. This lens cannot
account for two of the most striking features of Marlowe's canon:
his scholarly use of translation and his writing of epic. Cheney
proposes that a theatrical, Shakespearean model has prevented
critics from discovering the original context within which Marlowe
produced his art: a multimedia, multi-genre Spenserian model of
Ovidian counter-nationhood.
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