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Roland Barthes and Film - Myth, Eroticism and Poetics (Paperback)
Loot Price: R1,393
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Roland Barthes and Film - Myth, Eroticism and Poetics (Paperback)
Series: Film Thinks
Expected to ship within 10 - 15 working days
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Suspicious of what he called the spectator's "sticky" adherence to
the screen, Roland Barthes had a cautious attitude towards cinema.
Falling into a hypnotic trance, the philosopher warned, an audience
can become susceptible to ideology and "myth". In this book,
Patrick Ffrench explains that although Barthes was wary of film, he
engaged deeply with it. Barthes' thought was, Ffrench argues,
punctuated by the experience of watching films - and likewise his
philosophy of photography, culture, semiotics, ethics and
theatricality have been immensely important in film theory.
Focusing particularly on the essays 'The Third Meaning' and 'On
Leaving the Cinema' and the acclaimed book Camera Lucida, Ffrench
examines Barthes' writing and traces a persistent interest in films
and directors, from Fellini and Antonioni, to Eisenstein, the Marx
Brothers and Hitchcock. Ffrench explains that although Barthes
found pleasure in "leaving the cinema" - disconnecting from its
dangerous allure by a literal exit or by forcefully breaking the
trance - he found value in returning to the screen anew. Barthes
delved beneath the pull of progressing narrative and the moving
image by becoming attentive to space and material aesthetics. This
book presents an invaluable reassessment of one of the most
original and subtle thinkers of the twentieth-century: a figure
indebted to the movies.
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