These stories explore childhood, adolescence and adulthood
experiences. A leopard visits the village, and a boy wakes to
'hairy company' and prays for a better death. The arrival of a
newcomer, in Muzungu's Pupu, exposes filial rivalry that upsets
family balance. Greeting relatives, about two children sent to
deliver fish to a relative, explores childhood fears in the
children's encounter with Bokilo, the mortuary attendant, lepers,
and ghosts. In Charming Namukati, Siambi and Tabuley improvise
shortcuts to maturity, so as to charm new girls in the village.
Themes of family and manhood as a performance are furthered in The
Birthmark. Namacheke asks her son, "What has love got to do with
marriage?" And Maya in Maya the Man abandons his wife Anyango,
intending to prove that he's still a man but the outcome is just as
dramatic as it turns out for Ouma, when he gambles with a
girlfriend of his deceased friend On the Last day. Patrick Mangeni
wa'Ndeda, currently completing a PhD (Applied Theatre) at Griffith
University, Australia - where he also teaches courses in
Scriptwriting - is a Senior Lecturer in Theatre (Makerere
University, Uganda) and a Community Theatre facilitator. He was a
poet in residence at Akademie Schloss Solitude, Stuttgart, Germany
in 1996, Chairperson of the Uganda Writer's Association and a Guest
Poet for the 2003 Queensland (Australia) Poetry Festival. His
plays, Operation Mulungusi & The Prince won the National Book
Trust of Uganda Award (NABOTU) in 2000 and were nominated for the
Uganda Literature Prize 2001. He has written a children's novel,
The Great Temptation. A poet and performance critic, he is
completing a collection: The Second Coming and Other Poems.
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