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The Nazi Perpetrator - Postwar German Art and the Politics of the Right (Paperback)
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The Nazi Perpetrator - Postwar German Art and the Politics of the Right (Paperback)
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Who was responsible for the crimes of the Nazis? Party leaders and
members? Rank-and-file soldiers and bureaucrats? Ordinary Germans?
This question looms over German disputes about the past like few
others. It also looms over the art and architecture of postwar
Germany in ways that have been surprisingly neglected. In The Nazi
Perpetrator, Paul B. Jaskot fundamentally reevaluates pivotal
developments in postwar German art and architecture against the
backdrop of contentious contemporary debates over the Nazi past and
the difficulty of determining who was or was not a Nazi
perpetrator. Like their fellow Germans, postwar artists and
architects grappled with the Nazi past and the problem of defining
the Nazi perpetrator—a problem that was thoroughly entangled with
contemporary conservative politics and the explosive issue of
former Nazis living in postwar Germany. Beginning with the
formative connection between Nazi politics and art during the
1930s, The Nazi Perpetrator traces the dilemma of identifying the
perpetrator across the entire postwar period. Jaskot examines key
works and episodes from West Germany and, after 1989, reunified
Germany, showing how the changing perception of the perpetrator
deeply impacted art and architecture, even in cases where artworks
and buildings seem to have no obvious relation to the Nazi past.
The book also reinterprets important periods in the careers of such
major figures as Gerhard Richter, Anselm Kiefer, and Daniel
Libeskind. Combining political history with a close analysis of
specific works, The Nazi Perpetrator powerfully demonstrates that
the ongoing influence of Nazi Germany after 1945 is much more
central to understanding a wide range of modern German art and
architecture than cultural historians have previously recognized.
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