Gigs provides a fascinating account of a unique victory for
musicians against repressive entertainment licensing laws. It
provides a much-needed study of the social, political, cultural and
legal conditions surrounding a change in law and public attitudes
toward vernacular music in New York City.
This second edition includes a new preface by Hamish Birchall
and an introduction by the series editors, Guy Osborn and Steve
Greenfield, as well as an afterword by the author, and it will be
essential reading for all those interested in the history of social
attitudes toward the popular arts and the use of constitutional
litigation for social change.
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