Tony Pastor, a vaudeville performer and manager, was known as
the Dean of Vaudeville. He is credited with cleaning up the bawdy
variety shows of the mid 1800s, resulting in their appeal to women
and the middle classes. He opened his first vaudeville house in
1865 and continued to present shows at a series of New York houses
until shortly before his death in 1908. He achieved his greatest
hits with parodies of Gilbert and Sullivan operettas, but he also
presented parodies, or burlesques, of Shakespearean productions and
those of contemporary authors, as well as melodramatic works in the
popular style of the day. The plays, or afterpieces, and the
function they served for both the audience and the theatre, are
examined within the context of the culture and conditions under
which the plays were written. Thirteen plays are included, each
preceded by a production history. Issues addressed in each play are
analyzed, such as prevailing societal attitudes, including those
toward class and gender. Discourse on the parodies includes an
examination of the original play, detailing the reasons why
particular sections were chosen to parody.
This examination of Tony Pastor's scripts will appeal to theatre
scholars, especially those interested in vaudeville, since until
recently the plays were mostly kept in private collections.
Students of American culture, particularly culture at the turn of
the century, will find valuable material in the plays as they shed
light on the daily life of the lower and middle classes, and
subsequently on the issues that concerned them. Since the plays
were formerly not widely available, this study, including the texts
of the original scripts, provides a valuable resource to scholars
as well as to those with a general interest in the theatre and
vaudeville.
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