Film at the Intersection of High and Mass Culture analyses the
contradictions and interaction between high and low art, with
particular reference to Hollywood and European cinema. Written in
the essayistic speculative tradition of Walter Benjamin and Thedor
Adorno, this study also includes analyses of several key films of
the 1980s. Tracing the boundaries of such genres as film noir,
science fiction and melodrama, it demonstrates how these genres
were radically expanded by such film makers as Neil Jordan, Chris
Marker and Georges Franju. This work also reflects on kitsch, the
star system, racial and gender stereotypes and the nature of
audience participation. While defining the conditions under which
the symbiotic relationship between high and mass culture can be
cross-fertilising, the study stresses their inevitably
contradictory characteristics.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Studies in Film |
Release date: |
March 2009 |
First published: |
December 2008 |
Authors: |
Paul Coates
|
Dimensions: |
229 x 152 x 13mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
224 |
ISBN-13: |
978-0-521-10791-4 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-521-10791-1 |
Barcode: |
9780521107914 |
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