The Gorgon's Gaze is an interdisciplinary study of recurrent themes
in German cinema as it has developed since the early twentieth
century. Focusing on pertinent films of the pre- and post-World War
II eras, Paul Coates explores the nature of expressionism, which is
generally agreed to have ended with the advent of sound cinema, and
its persistence in the styles of such modern masters of Film noir
as Orson Welles and Ingmar Bergman. In considering the possibility
of homologies between the necessary silence of pre-sound cinema and
the widespread modernist aspiration to an aesthetic of silence,
Coates relates theories of the sublime, the uncanny, and the
monstrous to his subject. He also reflects upon problems of
representability and the morality of representation of events that
took place during the Nazi era.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Studies in Film |
Release date: |
May 2008 |
First published: |
May 2008 |
Authors: |
Paul Coates
|
Dimensions: |
228 x 152 x 20mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
304 |
ISBN-13: |
978-0-521-06336-4 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-521-06336-1 |
Barcode: |
9780521063364 |
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