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The Invisible God - The Earliest Christians on Art (Hardcover)
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The Invisible God - The Earliest Christians on Art (Hardcover)
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This is a study of early Christian (first three centuries C. E.)
attitudes toward art. The traditional view is that the early
Christians produced no art because they were opposed in principle
to visual images. When Christian art finally does appear, it has
been considered a popular development and a decline from earlier,
more austere spiritual values. Corby Finney here refutes these
traditional understandings, through a close examination of the
archaeological and literary evidence in its cultural and social
context. He finds that it was primarily the Christian belief in the
invisibility of God that inhibited the production of images, rather
than opposition to images as such. A contributory factor, he
believes was the relative invisibility of the Christians themselves
within Roman society. Christina art "came out" chiefly when the
Christian acquired a legal status and the capacity to own property
and to build (and hence to decorate) places of worship. Before
this, says Finney, very little differentiated the Christians from
society at large, and certainly not outward signs. When they did
use decorated material objects (seals and lamps) they drew on
symbols already in use. Offering an important corrective to
prevailing views about early Christianity, this study will be of
great importance not only to scholars and students of Christian
theology and history, but to art historians as well.
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