Is art created with computers really art? This book answers 'yes.'
Computers can generate visual art with unique aesthetic effects
based on innovations in computer technology and a Postmodern
naturalization of technology wherein technology becomes something
we live in as well as use. The present study establishes these
claims by looking at digital art's historical emergence from the
1960s to the start of the present century. Paul Crowther, using a
philosophical approach to art history, considers the first steps
towards digital graphics, their development in terms of
three-dimensional abstraction and figuration, and then the
complexities of their interactive formats.
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