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Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili - Towards a Critical Contemporaneity (Hardcover)
Loot Price: R4,416
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Contemporary Chinese Art, Aesthetic Modernity and Zhang Peili - Towards a Critical Contemporaneity (Hardcover)
Series: Aesthetics and Contemporary Art
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In recent decades the previously assumed dominance within the
international art world of western(ized) conceptions of aesthetic
modernity has been challenged by a critically becalming
diversification of cultural outlooks widely referred to as
'contemporaneity'. Contributing to that diversification are
assertions within mainland China of essential differences between
Chinese and western art. In response to the critical impasse posed
by contemporaneity, Paul Gladston charts a historical relay of
mutually formative interactions between the artworlds of China and
the West as part of a new transcultural theory of artistic
criticality. Informed by deconstructivism as well as syncretic
Confucianism, Gladston extends this theory to a reading of the work
of the artist Zhang Peili and his involvement with the
Hangzhou-based art group, the Pond Association (Chi she). Revealed
is a critical aesthetic productively resistant to any single
interpretative viewpoint, including those of Chinese exceptionalism
and the supposed immanence of deconstructivist uncertainty.
Addressing art in and from the People's Republic of China as a
significant aspect of post-West contemporaneity, Gladston provides
a new critical understanding of what it means to be 'contemporary'
and the profound changes taking place in the art world today.
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