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Books > Arts & Architecture > Performing arts > Films, cinema
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Beyond Observation - A History of Authorship in Ethnographic Film (Paperback)
Loot Price: R931
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Beyond Observation - A History of Authorship in Ethnographic Film (Paperback)
Series: Anthropology, Creative Practice and Ethnography
Expected to ship within 10 - 15 working days
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Beyond Observation is structured by the argument that the
'ethnographicness' of a film should not be determined by the fact
that it is about an exotic culture - the popular view - nor because
it has apparently not been authored - a long-standing academic view
- but rather because it adheres to the norms of ethnographic
practice more generally. On these grounds, the book covers a large
number of films made in a broad range of styles across a 120-year
period, from the Arctic to Africa, from the cities of China to
rural Vermont. Paul Henley discusses films made within reportage,
exotic melodrama and travelogue genres in the period before the
Second World War, as well as more conventionally ethnographic films
made for academic or state-funded educational purposes. The book
explores the work of film-makers such as John Marshall, Asen
Balikci, Ian Dunlop and Timothy Asch in the post-war period,
considering ideas about authorship developed by Jean Rouch, Robert
Gardner and Colin Young. It also discusses films authored by
indigenous subjects themselves using the new video technology of
the 1970s and the ethnographic films that flourished on British
television until the 1990s. In the final part of the book, Henley
examines the recent work of David and Judith MacDougall and the
Harvard Sensory Ethnography Lab, before concluding with an
assessmentof a range of films authored in a participatory manner as
possible future models. -- .
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