Sociologists have always been fascinated with music. In one way or
another they have encountered music as an important social force in
its own right, as an accompaniment or byproduct of phenomena they
studied (such as youth culture or the drug scene), or as a means
for obtaining social compliance (as in religious ceremonies or in
the military). This book goes one step toward remedying this
situation by culling the existing literature for building blocks
toward introducing sociological synthesis and by presenting the
English version of the extensive writings on music and society by
Paul Honigsheim.
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