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Wagner - Race and Revolution (Paperback)
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Wagner - Race and Revolution (Paperback)
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It has long been acknowledged that Richard Wagner was a virulent
antisemite, yet the composer has also been characterized as an
idealistic revolutionary, and historians have puzzled over the
paradox of these conflicting elements in his character. In this
fascinating book, Paul Lawrence Rose argues that Wagner did not
suddenly change from a progressive revolutionary into a reactionary
racist; for him, as for many other Germans, the idea of revolution
always contained a racial and antisemtic core. Rose approaches
Wagner on varying levels so as to see him as he really was: he
places Wagner within the context of mid-nineteenth-century German
revolutionary culture; he studies the composer's whole range of
theoretical and artistic works, tracing his career and the
evolution of his thought; and he considers Wagner's personality and
his personal relationships (especially with those Jews who
considered themselves his friends). Rose demonstrates that Wagner's
conversion to antisemitism dates not from 1850-the year in which
his infamous essay Judaism in Music was published-but from his
conflict with the Jewish composer Giacomo Meyerbeer three years
earlier over the Berlin production of Rienze. This affects our
understanding of the genesis of the Ring operas. In addition, Rose
offers fresh and stimulating interpretations of Tristan und Isolde,
Die Meistersinger, and Parsifal, based on an analysis of their
revolutionary and antisemitic elements.
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