While postwar British cinema and the British new wave have
received much scholarly attention, the misunderstood period of the
1970s has been comparatively ignored. "Don't Look Now" uncovers
forgotten but richly rewarding films, including Nicolas Roeg's
"Don't Look Now" and the films of Lindsay Anderson and Barney
Platts-Mills. This volume offers insight into the careers of
important filmmakers and sheds light on the genres of experimental
film, horror, rock and punk films, as well as representations of
the black community, shifts in gender politics, and adaptations of
television comedies. The contributors ask searching questions about
the nature of British film culture and its relationship to popular
culture, television, and the cultural underground.
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