Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Shakespeare's Imaginary Constitution - Late Elizabethan Politics and the Theatre of Law (Hardcover, New)
Loot Price: R3,272
Discovery Miles 32 720
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Shakespeare's Imaginary Constitution - Late Elizabethan Politics and the Theatre of Law (Hardcover, New)
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Through an examination of six plays by Shakespeare, the author
presents an innovative analysis of political developments in the
last decade of Elizabethan rule and their representation in poetic
drama of the period. The playhouses of London in the 1590s provided
a distinctive forum for discourse and dissemination of nascent
political ideas. Shakespeare exploited the unique capacity of
theatre to humanise contemporary debate concerning the powers of
the crown and the extent to which these were limited by law. The
autonomous subject of law is represented in the plays considered
here as a sentient political being whose natural rights and
liberties found an analogue in the narratives of common law, as
recorded in juristic texts and law reports of the early modern era.
Each chapter reflects a particular aspect of constitutional
development in the late-Elizabethan state. These include abuse of
the royal prerogative by the crown and its agents; the emergence of
a politicised middle class citizenry, empowered by the ascendancy
of contract law; the limitations imposed by the courts on the
lawful extent of divinely ordained kingship; the natural and
rational authority of unwritten lex terrae; the poetic imagination
of the judiciary and its role in shaping the constitution; and the
fusion of temporal and spiritual jurisdiction in the person of the
monarch. The book advances original insights into the complex and
agonistic relationship between theatre, politics, and law. The
plays discussed offer persuasive images both of the crown's
absolutist tendencies and of alternative polities predicated upon
classical and humanist principles of justice, equity, and
community. 'It is now canon in progressive U.S. legal scholarship
that to focus solely on the text of our Constitution is myopic. We
look as well for "constitutional moments", moments when the
zeitgeist is so transformed that our fundamental legal charter
changes with it. In this breathtakingly erudite book, Paul Raffield
argues that the late-Elizabethan period was such a "constitutional
moment" in England, a moment literally "played out" for the polity
by the greatest dramatist of all time. A lawyer and a thespian,
Raffield handles both legal and literary sources with exquisite
care. As with the works of the Old Masters, one dwells pleasurably
on each detail until their cumulative force presses one backward to
see the canvas in its sudden, glorious entirety. A major
achievement.' Kenji Yoshino Chief Justice Earl Warren Professor of
Constitutional Law, NYU School of Law
General
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