Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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Stage-Wrights - Shakespeare, Jonson, Middleton, and the Making of Theatrical Value (Hardcover)
Loot Price: R1,734
Discovery Miles 17 340
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Stage-Wrights - Shakespeare, Jonson, Middleton, and the Making of Theatrical Value (Hardcover)
Series: New Cultural Studies
Expected to ship within 10 - 15 working days
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Total price: R1,744
Discovery Miles: 17 440
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To many of their contemporaries, William Shakespeare, Ben Jonson,
and Thomas Middleton were little more than artisanal craftsmen,
"stage-wrights" who wrote plays for money, to be performed in
common playhouses and in a manner often antithetical to what Jonson
himself viewed as the higher calling of poetry. In response to the
conflicting pressures of censorship and commercialism, Paul Yachnin
contends, players and dramatists alike had promulgated the idea of
drama's irrelevance, creating a recreational theater that failed to
influence its audience in any purposeful way. In Stage-Wrights
Yachnin shows how Shakespeare, Jonson, and Middleton struggled to
reclaim not only the importance of their art, but their own social
legitimacy as well as through the reshaping of the commercial
theater. His bold readings of their works unveil the strategies by
which they sought power from their privileged but powerless
position on the margins. Adopting a hermeneutical approach, he
explores a wide range of historical evidence to describe how
English Renaissance drama depicted the world in ways refracted by
the interests of the playing companies; throughout, he challenges
recent historicist models that have overrated the importance of
dramatic productions to society and its institutions of authority.
Paul Yachnin offers a new way of understanding dramatic texts in
relation to their social history. In showing how the efforts of
three playwrights helped shape the area of discourse we now call
"the literary," Stage-Wrights represents both a major rereading of
the place of theater in Shakespeare's London and an important
clarification of the social context of contemporary criticism.
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