Between the Civil War and the Great Depression, the Young Men's
Christian Association built more than a thousand community centers
across the United States and in major cities around the world.
Dubbed "manhood factories" by Teddy Roosevelt, these iconic
buildings served as athletic centers and residential facilities for
a rapidly growing urban male population.
In "Manhood Factories," Paula Lupkin goes behind the reserved
Beaux-Arts facades of typical YMCA buildings constructed in this
period to understand the urban anxieties, moral agendas, and
conceptions of masculinity that guided their design, construction,
and use. She shows that YMCA patrons like J. P. Morgan, Cyrus
McCormick Jr., and John Wanamaker hoped to create "Christian
clubhouses" that would counteract the corrupting influences of the
city. At first designed by leading American architects, including
James Renwick Jr. and William Le Baron Jenney, and then
standardized by the YMCA's own building bureau, YMCAs combined
elements of men's clubs, department stores, hotels, and Sunday
schools. Every aspect of the building process was informed by this
mission, Lupkin argues, from raising funds, selecting the site and
the architect, determining the exterior style, arranging and
furnishing interior spaces, and representing the buildings in
postcards and other printed materials.
Beginning with the early history of the YMCA and the
construction of New York City's landmark Twenty-third Street YMCA
of 1869, Lupkin follows the efforts of YMCA leaders to shape a
modern yet moral public culture and even define class, race,
ethnicity, and gender through its buildings. Illustrated with many
rarely seen photographs, maps, and drawings, Manhood Factories
offers a fascinating new perspective on a venerable institution and
its place in America's cultural and architectural history.
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