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A Soviet Credo: Shostakovich's Fourth Symphony (Hardcover, New Ed)
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A Soviet Credo: Shostakovich's Fourth Symphony (Hardcover, New Ed)
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Composed in 1935-36 and intended to be his artistic 'credo',
Shostakovich's Fourth Symphony was not performed publicly until
1961. Here, Dr Pauline Fairclough tackles head-on one of the most
significant and least understood of Shostakovich's major works. She
argues that the Fourth Symphony was radically different from its
Soviet contemporaries in terms of its structure, dramaturgy, tone
and even language, and therefore challenged the norms of Soviet
symphonism at a crucial stage of its development. With the backing
of prominent musicologists such as Ivan Sollertinsky, the composer
could realistically have expected the premiere to have taken place,
and may even have intended the symphony to be a model for a new
kind of 'democratic' Soviet symphonism. Fairclough meticulously
examines the score to inform a discussion of tonal and thematic
processes, allusion, paraphrase and reference to musical types, or
intonations. Such analysis is set deeply in the context of Soviet
musical culture during the period 1932-36, involving Shostakovich's
contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new
method of analysis is also advanced here, where a range of Soviet
and Western analytical methods are informed by the theoretical work
of Shostakovich's contemporaries Viktor Shklovsky, Boris
Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with
Theodor Adorno's late study of Mahler. In this way, the book will
significantly increase an understanding of the symphony and its
context.
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