This important study offers close readings of The Professor, Jane
Eyre, Shirley and Villette, considered in feminist, Marxist, and
other theoretical and critical contexts. Penny Boumelha provides
astute insights into what it means to write as a woman, and the
historically specific nature of this meaning; what it means to read
as a feminist; textuality, resistance to patriarchy, and its gender
and race-specific forms and the importance of the political
concerns of the present in producing feminist readings. She also
takes up the important question o for feminist critics of the
validity and the uses of interpretation.
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