This book reveals the strain of a moment in American cultural
history that led several remarkable writers -- including Emerson,
Warner, and Melville -- to render the stark rupture of loss in
innovative ways. Pushing Protestant culture's sense of loss into
secular terrain, these three key writers rejected Calvinist and
sentimental models of bereavement, creating instead the
compensations of a mature American literature whose 'originality'
stemmed from its capacity to mourn the loss of a common culture
and, through such mourning, to assent to new social and cultural
realities. Balaam locates this appeal to 'reality' in the analogies
antebellum writers drew between their experience of bereavement,
and the experiences of uncertainty and disillusionment, that
followed the revolutions in science, the winding down of creedal
systems and the economic instability typifying the pre-Civil War
era.
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