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Sacred Repertories in Paris under Louis XIII - Paris, Bibliotheque nationale de France, MS Vma res. 571 (Hardcover, New Ed)
Loot Price: R2,818
Discovery Miles 28 180
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Sacred Repertories in Paris under Louis XIII - Paris, Bibliotheque nationale de France, MS Vma res. 571 (Hardcover, New Ed)
Series: Royal Musical Association Monographs
Expected to ship within 12 - 19 working days
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The study of sacred music under Louis XIII (r.1610-43) has advanced
little in the past hundred years. Despite some important recent
contributions by the late Denise Launay and others, much of our
current perception of the Latin sacred music of the period is still
informed by the pioneering research undertaken by Henri Quittard in
the early years of the twentieth century. Even with Quittard's
work, however, the almost complete absence of surviving sources has
severely limited our understanding of this era. But by re-examining
one of the seventeenth-century 'treasures' of the Bibliotheque
nationale (MS Vma res. 571), Sacred Repertories in Paris under
Louis XIII reveals that, far from being a transitional period in
which little music of any interest was produced, the reign of Louis
XIII witnessed a flowering of musical activity and the development
of musical techniques normally associated with the reign of Louis
XIV. Based on an exhaustive and innovative manuscript study, Sacred
Repertories shows that Vma res. 571 (a largely anonymous source of
previously unknown provenance) was copied in Paris by the composer
Andre Pechon, and that it preserves three previously unidentified
repertories with connections to the court of Louis XIII. The
repertoire of the musique de la chambre, until now considered a
secular institution, shows it to have been an equal partner of the
chapelle in the provision of sacred music at court. The repertoire
of the royal parish church of Saint-Germain-l'Auxerrois, the only
'working' liturgical repertory surviving from the century,
illustrates musical practices at this important collegiate church.
And the repertoire of the Royal Benedictine Abbey of Montmartre
testifies to the richness of musical tradition in Parisian convents
during a period when no other comparable music from France
survives. Sacred Repertories thus transforms our understanding of
the musical landscape of seventeenth-century France and provides a
springboard fo
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