Peter Fine's innovative study traces the development of a mass
visual culture in the United States, focusing on how new visual
technologies played a part in embedding racialized ideas about
African Americans, and how whiteness was privileged within
modernist ideals of visual form. Fine considers the visual and
material manifestations of this process through the history of
three important technologies of the art of mechanical reproduction
– typography, lithography, and photography, and then moves on to
consider how racialized representation has been configured and
contested within contemporary film and television, fine art and
digital design.
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