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Books > Arts & Architecture > Music > Musical scores, lyrics & libretti
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Pieces From A Distant Land, Series I - No. 1 (Paperback)
Loot Price: R251
Discovery Miles 2 510
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Pieces From A Distant Land, Series I - No. 1 (Paperback)
Series: Pieces from a Distant Land, 1
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Loot Price R251
Discovery Miles 2 510
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MUSIC SCORE - Piano Solo
Listen to the composer perform it here on YouTube:
http: //youtu.be/aKvA0FUWOg4
Lopez (1950 - ) initially conceived of Pieces from a Distant Land
as a set of relatively easy-to-perform tonal pieces in response to
a request by his mother in the early 1980's for such a collection
of pieces. At first these occurred to Lopez in the manner of short
single movement works from the Romantic Period, similar to
Mendelssohn's Songs Without Words and Chopin's Nocturnes or
Preludes. Over time the concept evolved into something more
personal and extended beyond the Romantic character piece model.
Distant Land was meant to evoke none other than the tonal landscape
of his youth and early training. As the series of pieces evolved
over time, the title came to reflect a more personal story to be
told over three volumes, or Series, of these Pieces. The total
Series (I, II, III) describe a stylistic journey from Lopez' early
tonal creative work in Series I, through more advanced tonality and
experimentation in Series II, to a mature avant-garde voice in
Series III which integrates elements of both traditional and
experimental styles and techniques. As of January, 2009 there were
15 pieces from Series I which were either complete, partially
notated, or in sketches. Only a handful of Series II have been
contemplated and sketched to date, and just a few sketches from
Series III have been jotted down. Lopez contemplates that Series
III may comprise several sub volumes, or albums, in which his
Moment Pieces for Extended Piano (Piano with Digital Effects) may
be included as one such album.
The first piece in Series I is one of the earliest pieces of
Distant Land. The earliest manuscript dates from February 1988 and
bears the title "Voluntary" as originally conceived. In order to
keep the piece relatively simple, it was completed only through
measure 31 whereupon it was customary for Lopez to repeat the piece
exactly from the beginning. Reaching measure 31 the second time,
Lopez would end on the major mode by simply replacing the
C-naturals with C-sharps in the ascending closing arpeggio. Lopez
performed this piece several times in concert in this form. During
the years following, however, Lopez already had felt instinctively
that the piece in this form was incomplete. By the year 2000 Lopez
was beginning to think of the Distant Land as a more involved
collection, and his mother was also increasingly unable to read
music due to macular degeneration. The confluence of these factors
resulted in freeing Lopez from the original charge to keep the
collection short and simple as in a form simple enough for his
mother to play. While preparing for a concert in December 2008,
Lopez decided to extend the first piece properly with a varied
repetition. The result is No. 1 in its current form as published
herein. This is the "authorized" version of the piece. Lopez had
jotted sketches of the variation from about 2006, but the piece was
not put in its final form until 2008 just a few days before its
first performance on that concert in December, 2008.
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