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Gyoergy Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque (Paperback)
Loot Price: R1,362
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Gyoergy Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque (Paperback)
Series: Ashgate Studies in Theory and Analysis of Music After 1900
Expected to ship within 12 - 17 working days
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Gyoergy Ligeti's Le Grand Macabre (1974-77, revised 1996) has
consolidated its position as one of the major operatic works of the
twentieth century. Few operas composed since the 1970s have
received such numerous productions, bringing the eclectic score to
a global audience. Famously dubbed by Ligeti as an
'anti-anti-opera', the piece is a highly ambiguous, apocalyptic
fable about the human condition, fear of death and the final
judgement. As the first book in English solely dedicated to
discussion of this work, Gyoergy Ligeti's Le Grand Macabre:
Postmodernism, Musico-Dramatic Form and the Grotesque offers new
perspectives on the opera's musico-dramatic identity in the context
of musical postmodernism. Peter Edwards draws on a range of
modernist and postmodernist theories to explore the collision of
past styles and genre models in the opera, its expressive states
and its engagement with the grotesque. This is ably supported by
musical analysis and extensive study of Ligeti's sketch materials
held at the Paul Sacher Foundation in Basel. Edwards's analyses
culminate in a new approach to examining the opera's rich
multiplicities, the composition of the musical material and the
nature of Ligeti's relationship with the musical past. This is a
key reference work in the fields of musical modernism and
postmodernism, opera studies and the music of Ligeti.
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